The Hoarder’s Writing Shop and Table Revisited

[Way back in the Fall of 2012, I wrote something about how I shepherd writing ideas. Not long after I wrote it, I started using Evernote, as it had a functionality and flexibility I liked. I still use it, particularly as a sort of thought scrap-book from which I can draw at some point later. With Evernote, a stray thought, a link to a magazine article, and a photograph each find a easily organized platform. This app also makes it easy to connect different devices–a new note I write on my computer instantly arrives on my phone and visa-versa. I find it particularly useful when I travel as I am navigating back and forth from phone to computer continually. It has improved my work flow and my ability to preserve my thinking.

I am fascinated when I find something months or even years afterward that I wrote very quickly and without much reflection. A number of the ideas that in the past might have been fleeting get a second life. Many of the scraps become part of something larger. Additionally, I have noted more and more often that a number of these one-off thoughts are not actually one-offs but instead are part of an interconnected web of ideas.

I am sharing what I wrote in 2012 as it captures something that remains true about how I conceptualize my work. Evernote has come to house my writing shop and table. This way of thinking about my approach to writing whether it be for the blog, for some other aspect of my work, or for the poetry collection, reminds me continually that the best writing is not born of a lightning strike of inspiration but from hard work at a craft.]

The Hoarder’s Writing Shop and Table (2012)

–Something from Ecclesiastes…

–Some poems I haven’t finished (or rather am not ready to part with)… 

–Part of an email conversation about the role of technology in an English classroom…

–A paragraph I like from a letter I didn’t send several years ago…

I have a Word document that serves as a sort of a giant virtual workshop at the center of which is a virtual worktable where I can tighten the vice down on an idea or topic. Some things in the shop have been there a long time—projects continually pushed aside for more pressing ones. They hang on hooks on the wall next to virtual hammers and virtual screwdrivers.  I thought I would at last get to most of these over the summer—my May ambition to write more seems quaint to my September self. Somehow they never made it off the wall and onto the table. Some of them probably need to go to the dump, but I don’t quite have the heart to let them go.

Other things are in the shop and on the table only briefly before they move over to the blog. My last entry, for instance, about trading in my pick-up truck was only on the worktable for thirty minutes or so over the weekend before I moved it over to WordPress. I am writing this entry right now on the worktable. There is a television in the shop tonight, so the US Open is slowing me down.

This Word document is more woodshop than office, and its worktable designed more for a hack carpenter than a draftsman.

It is a place where the criteria for inclusion is limited to what may or may not be ever relevant to the creation of something else. In this way it is a hoarder’s writing shop, complete with overfull boxes of conceit washers, idea screws, and pentameter wood scraps.

If only my Mac could produce the perfect woodshop smell.

Rivendell Writers’ Colony: Cultivating Creativity

Rivendell’s Third Floor Studio with fog threatening to invade
“Rivendell seems to stand less as something built on the Cumberland Plateau than something pulled up from within it.”

Just outside Sewanee, Tennessee, a large, beautiful stone house called Rivendell sits just off the lip of the aptly named Lost Cove, an enclosed cove where all the water that falls within its boundary drains into a sink hole. Lost Cove lives in the imagination of all who have visited it and seen its landmarks: Natural Bridge, Buggy Top Cave, or Big Sink. Rivendell, a name drawn from the vast imagination of JRR Tolkein, seems to stand less as something built on the Cumberland Plateau than something, with its local Warren Point Sandstone exterior, pulled up from within it. The gift of the place to writers is inspiration; its danger is nostalgia, particularly for someone like me who has known it since I was eighteen years old, several days into my freshman year at Sewanee in 1983 when I found myself out there shooting skeet off the bluff as the coming evening dark climbed the eastern slope across from us. 

Screen Shot of Lost Cove detail from USGS Sewanee Quad Topographic Map (Rivendell is toward the middle on the left side. Big Sink is at the bottom middle).

Rivendell is now the home of the Rivendell Writers’ Colony, and I spent Spring Break there working on revisions to poems, while sharing the house with three novelists (Heather Jones, Nathaniel Popkin,and Jackie Zakrewsky), a short story writer (K.K. Fox), an artist and screen-writer (Rachel Kice), and a poet (Adam Vines). It was an extraordinary experience during which I was hugely productive in my work and deeply inspired by the the writers who were there. [I tried to spot the best link for each writer with varying success]

I am pretty good at keeping the different parts of my life separate. Interestingly, this blog, Ross All Over the Map, gives me a space where the different corners of my life–from education to photography, from poetry to folk art, and from music to travel–can mix, or at minimum share the same platform. Since my arrival at St. George’s in the summer of 2015, virtually all my posts have had relevance to my work as Head of St. George’s Independent School; however, when the blog began several years ago when I was Upper School Head at The Westminster Schools in Atlanta, I tended to let it go wherever my thinking led me. Today’s entry is reminiscent of that original generalist edge.

View out the third floor window

While I was in Atlanta, Westminster and the Poetry @Tech Program at Georgia Tech worked together bring poets, Richard Blanco and Ron Smith, to Atlanta.  Because of that effort, I met Travis Denton and Thomas Lux who together led Poetry@Tech (Travis remains in that role, while Thomas passed away early in February after battling cancer. You can find his obituary in the New York Times HERE). I have been fortunate to stay connected to Travis. A dedicated teacher and a fine poet, Travis has helped me work through my own collection of poems, tentatively titled, The Kiln. He is generous and kind, and he is a scrupulous and demanding reader–perfect. In fact, the challenging nature of his comments regarding my work led me to recognize the need to head to Rivendell in order to provide the sustained attention for which the poems were starved over the last couple of years as I started a new job.

My time at Rivendell reminded me of the vital importance of quiet time, as well as attending to my interests beyond school. Interestingly, a March 17 piece in the Harvard Business Review titled, “The Busier You Are, the More You Need Quiet Time” echoes this idea. That piece ends with this thought: “The world is getting louder.  But silence is still accessible—it just takes commitment and creativity to cultivate it.” I find that in order to be my best for my work, I must allow for this sort of “cultivation.”

So I will continue to work on poems, and I will finish this collection, and I will move onto something new (I have a couple of ideas…). For now I am looking forward to my next conversation with Travis to discuss the current state of The Kiln. I am also looking forward to school today.

[One unexpected and exciting outcome of my time at Rivendell was that on our last night all together, each of the writers read some things that we had either written or revised while there. To have the opportunity to hear such fantastically creative work still in process from such talented writers was a particular treat. Adam Vines, a fine poet (see “Lures”) and the editor of the Birmingham Poetry Review, generously asked that I send him a few poems after I read. As a result, one of the longest poems in The Kiln will be included in the Spring 2018 BPW issue.]

A Poetry Priority

View from Jones Knob near Highlands, NC Fall 2012 (Photograph: Ross Peters)
View from Jones Knob near Highlands, NC Fall 2012 (Photograph: Ross Peters)

“Ross All Over the Map” has been a powerful tool for reinvigorating my writing and for refining much of my thinking about school change, travel, photography, and music. It has pushed me and it has rewarded me. That said, I have felt its limitations more and more over the last six months or so, in particular as I have been pulled toward writing that requires a longer period of fermentation than standard blog entries. In early December I wrote about my goal to reinvigorate the blog, but alas, I have fallen short.

Interestingly, it was the blog that led me to take what felt like the brave step of sharing poetry I had written, and now it is my work with poetry that has kept me away from the blog recently. Over the last couple of months I have been giving the same amount of time I was devoting to the blog to work on a collection of poems.  As I have been working on them, it has become clear to me that the pressure of continually posting work creates the potential that I would rush them and that their quality would suffer as a result.

So here is my plan: for the near-term, I will give full priority to my work with poems, and I will be committed to finishing the full collection I have outlined. I will also maintain the blog though I will not maintain the same commitment to posting as often or as regularly. In the blog’s first full year I averaged over two posts a week. For now, I am adjusting my goal for posts to something like one post every two or three weeks.

When after the first couple of months of its existence, I started to refine my vision for it (“Finally, A Name for My Blog”), I already knew that I wanted the blog to be malleable.  From the start I have wanted it to meet a personal need far more than it would create an additional obligation—my life like everyone else’s has enough requisite demands already without adding another by choice.

I am excited to continue work on the poems and to see how the blog continues to evolve. Here’s to the new plan!

The poems I have posted on the blog are collected here.

A gravel road with ice-covered trees near Highlands, NC, December 2012 (Photograph: Ross Peters)
A gravel road with ice-covered trees near Highlands, NC, December 2012 (Photograph: Ross Peters)


Catawba Clay

Detail from face jug by Burlon Craig (BBC)

Folks have been

Digging and working and firing

Clay here for hundreds of years.

The story of how the clay

Came to be though,

How it arrived here is, of course,

A long story.

It is also a violent and

Eternally silenced

By time story.

(Violence is not always full of

Sound and speed—

The most violent

things—things that can push up

And pull apart

Geography are usually

Silent and slow.)

Before the Blue Ridge,

Those rocks were

Buried deep and heated

Under an earth and stone wave

And pressed and folded and swirled

And condensed and changed—

Transfigured in a more deliberate kiln—

Perhaps the mind of God.

All this happened long before you got here.

As they rose and

After they rose,

They hemorrhaged

All sorts of shiny things,

Mica and schist,

Garnet and quartz,

And rutile—

Into the ground and rolling

And grinding down streams

To become part of the clay—

Nature’s axel grease

To keep big things moving

(All things have places to go

And each must have time to get there—

No things are late,

And all things must move).

Its pensive brow

Might seem to tell us that

Death is a dream of stasis,

But when I see this stone face,

This particular one with

Blue lines of rutile, made by

BBC’s big hands,

I look at its eyes

Pointed thirty degrees

Above the horizon to the sky

With sagging cobalt pupils,

Thinking of where its parts have been:

Fallen to the bottom of a

Giant shallow inland lake,

Encrypted in stone and heat,

Risen to such heights,

Pushed back to the ground,

And moving without end

Toward a sea yet unmade.

Copyright 2012